Artists
Artists
Giuseppe Penone
June 28- May 2017

The City of London’s annual public art program, "Sculpture in the City", places contemporary art works in unexpected locations, providing a visual juxtaposition to the capital’s insurance district.

This year’s edition, the largest to date, will showcase 15 works ranging considerably in scale and will include William Kentridge, in collaboration with Gerhard Marx, and Giuseppe Penone.

Kentridge and Marx will present Fire Walker (2009) on Bishopsgate while Penone will be showing Idee di Pietra – 1372 KG di Luce (2010) in front of Norman Foster’s the Gherkin, St Mary Axe. 

 
William Kentridge and Giuseppe Penone in
January 27- July 15, 2017

The work of Giuseppe Penone will be the subject of the first exhibition of contemporary art at the Palazzo della Civiltà Italiana, Fendi’s headquarters.

The exhibition, titled Matrice will include some of Penone’s older works such as Soffio di Foglie, a huge pile of leaves on which the artist has left an imprint of his body, Abete, Ripetere II Bosco, and Spine d’Acacia, made entirely of thorns and which resembles the lines of the artist’s mouth. There will also be two new pieces, including a 30m-long horizontal sculpture, formed from a tree that has been excavated and the interior filled with a bronze mold, and which will occupy an entire wing of the building. The outside space will feature a momentous sculpture of two bronze and marble trees.

Giuseppe Penone at Fendi Headquarters, Palazzo della Civiltà Italiana
September 10 - November 26, 2017
Château La Coste presents an exhibition by Giuseppe Penone, titled Des Corps de Pierre, that will open this autumn in the recently constructed gallery pavilion by Renzo Piano.

Considering Piano’s design, the approach, and the surrounding landscape, Penone has carefully selected works that will be presented both inside and outside the gallery, creating an overall dialogue between his artwork, architecture, and nature. Works on paper, large scale bronze and marble works, and the delicate replication of a single grain of sand are included in a context that brings a poignant resonance to Penone’s interest in questions of nature and identity in today's industrialized society.
Giuseppe Penone at Château La Coste